This one feels very complete. The use of blurring to get depth is interesting. I didn't even notice it from a distance. Well done.The only thing that bugs me is the way the orange shape cuts into his hand. It might be alright. I'm known to freak out over very small compositional offsets. Ask Erika about my finicky nature concerning wall hangings.That being said, I'm not the best at "solving" compositional puzzles... just spotting them. James seems to have a much better hang of these things, what with his talk of tangents. If you can get him to pick up his phone, you should have him take a look at it.Other than that ethereal crit, I really like the interplay here. GJ!Okay I've commented all your recent posts, now come check mine! =D It's in the early stages of development, and I'm about to start cracking into the reference library, so now's the time to start shoveling ideas my way. There's a lot more in my head for it than I've stated so far, but it is still open to influence.
Post a Comment